Main
organizer of Via Firenze Sweden, this Dutch born artist
combines organizational skills with a personal repertoire
of incredible imagination. In this visual portal of
the mind he attempts to “express the backgrounds
of hidden and implausible thoughts”
Groenewold
teases the intellect with his special brand of imagery.
His forms, no matter how thought provoking, never fail
to register as a unique and singular voice. In his work
the mind’s perception and how it reacts is a part
of the work’s inner strength.
I
am Sietze Groenewold, born in 1948 on Curaçao,
one of the islands of the Netherlands Antilles. I live
and work in Särna – Dalarna in Central Sweden.
After my studies in Social Anthropology, I worked for
a year on an anthropological project in Sweden. After
that I returned to my former job photography that I
performed for almost 20 years. For about 25 years I
have been making drawings en photos. I got my training
on “the Fotovakschool” and “het Grafisch
Lyceum” in Amsterdam. The last years I have focused
more and more on drawing, which became priority number
1 for me. No colourful decorative pictures, no refined
wallpaper, but penetrating, surrealistic, almost absurdist
black & white images, in which I wanted to express
the backgrounds of hidden and implausible thoughts.
“….Because the human soul is inclined towards
the implausible, doubting the plausible.” (Halldór
Laxness,”Själfstætt fólk")
Drawing means recording, leaving behind an imprint of
thoughts. A deeper wish to resist the transience of
moments and long-gone ideas passing into oblivion……..
I find my inspiration in music, in books and places.
Sometimes the places are in books or the books are descriptions
of places to visit. There is always the need of balance.
The left must in balance with the right. As in society
the left must be as good as the right. Not neutral because
there has to be a choice. One side is not better then
the other. There is cohesion between the two and interaction.
There is a challenge to make a picture as in a photograph.
A thousand lines form one picture. Millions of dots
form one image. To make an image, thoughts would not
be forgotten. One picture, not to fall into oblivion.
“Before the gates of oblivion”
“He sighed deeply; in the clear light of the rising
sun, no longer surrounded by the golden halo of illusion,
he saw the images of his bygone live, he saw what had
been and what could have been”. (ASC Wallis. “Vorstengunst”;
dl.3, 11, Haarlem 1883)
“Before the gates of oblivion………Never!”
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